At ten at night, a proposal will begin that aims to expand Cambrils’ musical offer and support local artists, the associative network, and the musical activity of the area. Tickets cost 22 euros in advance and 26 euros at the door. As always, La Butxaca is also part of the lineup.

What will Cambrils Pop Fest 2026 offer?

For the residents of Cambrils, the festival concentrates a diverse program and a long schedule in a single night. It is not just a one-off performance: the organization plans an evening with concerts and a DJ session from ten at night until approximately five in the morning.

Which artists will perform at the Ateneu Juvenil?

The lineup of Cambrils Pop Fest 2026 brings together four different names and proposals: Joan Masdéu, Gatos Locos, Erik López & The Cactus Band, and DJ German Galiano. The combination allows moving from a band format to a dance music session without changing venues.

Variety is one of the main attractions of the night. The audience will not find a single artistic proposal repeated for hours, but a succession of performances designed to maintain the festival’s rhythm until dawn. A long night, without the need to pretend that the next day does not exist.

• Joan Masdéu, part of the concert program.
• Gatos Locos, one of the announced bands.
• Erik López & The Cactus Band, also on the lineup.
• DJ German Galiano, responsible for the DJ music segment.

Where and when will it be held?

The festival will take place in the basement hall of the Ateneu Juvenil de Cambrils this Saturday, September 12. Concerts will start at ten at night, and the activities are scheduled until five in the morning.

This schedule gives the audience a broad timeframe to arrive, listen to the performances, and stay until the end. The venue holds 600 people, a figure that sets the attendance limit and positions the event in a limited format, far from large gatherings.

Why was this Festival born in Cambrils?

The initiative matters because it puts forward a specific idea on stage: expanding Cambrils’ cultural offer while supporting local artists, the associative network, and the territory’s music. This is the purpose expressed by the Música i Cultura de Cambrils Association, the event’s organizing entity.

What is the objective of the Música i Cultura de Cambrils Association?

The association wants Cambrils Pop Fest 2026 to strengthen the town’s musical programming and offer a space for artistic proposals linked to the territory. The festival is thus born with a dual vision: to fill one night with music and contribute to local cultural activity.

This approach gives meaning to the event’s name. It is not just about gathering four performances on the same lineup, but about creating a unique appointment within Cambrils’ musical offering. If the proposal finds a response among the audience, the organization will have succeeded in putting a new cultural date into circulation.

How much do the tickets cost?

Tickets have two prices depending on the time of purchase: 22 euros if bought in advance and 26 euros at the door. The difference is four euros, so buying beforehand allows access to the lower price.

With an announced capacity of 600 people, having the ticket before arriving also allows the audience to secure access to a venue with limited capacity. The source does not specify any sales system or reservation channel, so it is necessary to consult the organization to get this information.

Cambrils Pop Fest 2026 arrives with an easy-to-understand proposal: four names, a hall with capacity for 600 people, approximately seven hours of programming, and a ticket starting at 22 euros. The key will be to see if this first edition turns a night of music into a new event on the local cultural calendar.

Source of the article: Editorial / Catalan News Agency

The proposal is not limited to the most well-known names. The program combines established artists, emerging voices, and interdisciplinary projects such as Raquel Lúa, Los Sara Fontan, Ölivias, and Núria Andorrà. A musical route through various municipalities and heritage sites, as it seems festivals are no longer content with a single stage.

A program that spreads music across seven municipalities

Which municipalities will host the Muses Festival?

The festival will have activities in Reus, Falset, Valls, l’Hospitalet de l’Infant, l’Espluga de Francolí, Santes Creus, and Tarragona. For the audience of Camp de Tarragona, this means that the program will not be concentrated in a single city but will be spread across several points in the territory.

This distribution is one of the clearest details of the third edition. The festival proposes to visit heritage sites of different municipalities, with an agenda distributed between the months of October and November. Although the news brief does not detail the dates or times of each performance, it does confirm the territorial scope of the proposal.

The list includes cities and towns with diverse profiles. Reus and Tarragona coexist with Falset, Valls, l’Hospitalet de l’Infant, l’Espluga de Francolí, and Santes Creus. The result is a program that places Camp de Tarragona at the center, without turning it into a mere backdrop.

• Reus
• Falset
• Valls
• l’Hospitalet de l’Infant
• l’Espluga de Francolí
• Santes Creus
• Tarragona

What is known about the venues and schedule?

The Muses Festival will occupy several heritage sites, although the available information does not specify which buildings or locations will host each performance. The overall schedule is defined: activities will take place between October and November.

This combination of music and heritage is the thread that allows the format of the event to be understood. It is not presented merely as a succession of concerts but as a program spread across different locations. For the audience, the practical fact is clear: it will be necessary to check the program of each municipality before choosing an event.

The majority of events will require payment. This directly affects those who want to attend various proposals and obliges checking the conditions of each activity when all details are published. So far, the news brief does not specify prices or the ticket sales system.

Martirio and Ana Curra headline a diverse lineup

Who are the most prominent names of the Festival?

Martirio, Ana Curra, Judith Neddermann, and Júlia Colom are the main names announced for this third edition. The lineup gathers different profiles and avoids associating the festival with a single way of understanding music.

Martirio and Ana Curra provide a particularly recognizable presence within the program, while Judith Neddermann and Júlia Colom complete the group of highlighted artists. The source does not detail which songs they will perform or in which municipalities each will act, but it does place the four at the top of the bill.

The headliner name obviously works as a draw. But the program incorporates other proposals that may give the festival more reach: emerging artists and interdisciplinary projects with Raquel Lúa, Los Sara Fontan, Ölivias, and Núria Andorrà, among others. Not everything is headliners, and that usually is good news.

Why does the Festival focus on the female music scene?

The organizers explain that the aim of the Muses Festival is to promote and give visibility to the female music scene, as well as to encourage equal opportunities and diversity. This is the raison d'être the event associates with its program.

The selection of artists responds to this approach: it includes established names, emerging proposals, and projects that combine disciplines. The festival, therefore, does not present a single generation or a single format, but a lineup designed to show different ways of creating and performing.

For the local audience, the value of the proposal is twofold. On one hand, it allows seeing outstanding artists in municipalities of Camp de Tarragona. On the other hand, it gives space to lesser-known projects that do not necessarily appear in the most predictable programs.

The published information does not yet include the complete program, the specific dates of each performance, or ticket prices. It does, however, leave three well-defined ideas:

1. The festival reaches its third edition.
2. Activities will take place between October and November in seven municipalities.
3. The majority of events will be paid and will combine highlighted artists, emerging voices, and interdisciplinary projects.

The Muses Festival arrives in Camp de Tarragona with four highlighted names — Martirio, Ana Curra, Judith Neddermann, and Júlia Colom — a program that also includes Raquel Lúa, Los Sara Fontan, Ölivias, and Núria Andorrà, and activities distributed among Reus, Falset, Valls, l’Hospitalet de l’Infant, l’Espluga de Francolí, Santes Creus, and Tarragona. Now the detailed schedule remains to be known, but the route is already drawn: music, heritage, and an explicit commitment to the female music scene.

Source of the article: Editorial Staff / Catalan News Agency

For now, the message does not specify the names of the shows, the dates, or the venues where the performances will take place. However, it sets out three very clear ideas — quality, support for local talent, and an offer open to diverse audiences — which define this new theatrical proposal in Valls.

What does Valls announce with the new theater season?

What are the pillars of the programming?

The new season is presented with an explicit ambition: to offer “high-level” theater. The message from the Valls City Council also emphasizes local talent and the desire to reach all audiences. It is not just a lineup: it is a declaration of intent.

For the reader from Valls, this nuance carries weight. When a program incorporates artists and proposals linked to the territory, the relationship with the public can go beyond the individual performance. There is proximity, recognition, and that feeling that the stage isn’t as far away as it seems.

The reference to “all audiences” further broadens the scope of the announcement. The text does not specify whether this classification relates to ages, theatrical styles, or different formats, so no concrete categories can be assigned to the season. What is clear is the intention to avoid an offer reserved for a single type of viewer.

Why might it interest the residents?

The short answer is simple: because the season is conceived as a local and open proposal. In Valls, the information is not presented as an isolated activity but as a theater program with its own identity and an explicit commitment to local talent.

This approach can be especially relevant for those looking for cultural activities without having to leave the municipality. The message does not promise a specific list of shows, but it does position Valls as the place to consult and follow this theatrical offer.

There is also an element of trust. Saying that a season is committed to local talent means placing the territory within the cultural narrative, not just as a simple backdrop. Local culture does not need to make noise to have an audience; it needs a program that makes the audience come back.

Where can the theater programming be consulted?

What information has the City Council published?

The Valls City Council shared the announcement on X and included a link to view the programming. The post, made on September 8, presents the season and directly invites discovering its contents: according to the Valls City Council, the proposal focuses on artistic level, local talent, and all audiences.

The information available in the message is brief. It does not include the titles of the plays, the names of the performers, the schedules, the prices, or the performance calendar. Therefore, any additional detail about these matters would be outside what the source allows to confirm.

This lack of data also explains why the programming link is the key piece of the announcement. Anyone who wants to know what will be seen in Valls must consult the linked document or page to find the complete calendar. That simple.

What should be checked before choosing a performance?

The first step will be to review which proposals are part of the season. Since the message only outlines general lines, it is still necessary to check the programming to know the actual content and see which activities might fit each audience.

• The planned shows within the new theater season.
• The dates and times of each performance.
• The venues where the shows will take place in Valls.
• Access conditions, if the programming specifies them.

These are the details that will turn the general announcement into a useful agenda for the public. The commitment to local talent may attract people who want to support local creators, while the desire to reach everyone may facilitate families, young people, and regular spectators finding a suitable proposal. However, this can only be assessed when the full programming is available for consultation.

The news, therefore, has two layers. The first is the announcement of a theatrical season with a clear orientation. The second is the invitation to go beyond the headline and check what is really on the table (or, in this case, on the stage).

Valls puts theater at the center with a season that claims artistic level, local talent, and an offer for diverse audiences. The names, dates, and venues are still missing to understand its concrete scope, but the message already sets the course: a local theater program with ambition and an open vocation. Now it’s time to look at the schedule and see if the stage lives up to the promise.

Article source: Valls City Council

The programming will not be confined to the Teatre Tarragona. There will be proposals in the civic center theaters, in the streets, and in spaces such as the old prison. In other words: this fall, the city will have theater inside, music outside, and a schedule full enough to force us to choose (the most unpleasant part of having options).

A season that distributes stages throughout Tarragona

Why does this programming matter to the audience?

Because the season concentrates an extensive offer and, at the same time, distributes it across various points in Tarragona. The Teatre Tarragona will host most of the proposals, but civic centers, the streets, and the old prison will also be part of the scenic route.

The fall-winter season will start on September 26 and last until February. This period will bring together about seventy shows and combine classic theater, new dramatizations, circus, music, opera, and dance.

This variety is not just a matter of quantity. For the audience, it means that the programming does not require choosing a single artistic language: one same season can go from classical text to contemporary dance, from opera to circus, and from folk music to a theatrical proposal with humor.

Which venues will host the shows?

The Teatre Tarragona will be the main venue of the season, but not the only one. The programming will include events in civic center theaters, in the streets, and in other parts of the city, such as the old prison.

This detail has practical consequences for those wanting to follow the schedule: it will be necessary to look not only at which show is interesting, but also where it takes place. The stage will be part of the experience, especially when the proposal leaves the conventional theater and occupies an urban space or a civic facility.

• Teatre Tarragona: home to most of the proposals.
• Civic center theaters: spaces for various events.
• Streets of Tarragona: programming outside the usual venues.
• Old prison: one of the unique places that will host activities.

Thus, the season will have a double reading. On one hand, there is a bill concentrated at the Teatre Tarragona. On the other, there is a desire to bring performing arts to more corners of Tarragona, without turning all culture into a mandatory visit to the same building.

Opera, Music, and Flamenco open the calendar

How will the performing arts season begin?

The season will start with ‘Pau’, a production by the Orquestra de Músiques d’Arrel de Catalunya inspired by the legacy of Pau Casals. Folk music will be the first card presenting the program before other proposals of theater, opera, circus, and dance arrive.

The name of Pau Casals gives this opening a clear thread: the production starts from a concrete musical legacy and turns it into the starting point of the season. There is no need to dress it with more artifice. The first performance already has a sufficiently powerful reference.

Then will come the Festival Sona Flamenc, which will take place from October 5 to 12. The calendar will continue with Refugi Sonor, two events that place music in a prominent position within a program that does not limit itself to theatrical productions.

Which operas can be seen this fall?

The two opera proposals will be ‘L’elisir d’amore’ and ‘Cavalleria rusticana/Pagliacci’. Both will be presented by the Fundació Òpera a Catalunya.

The presence of two operatic titles expands the profile of the season and adds a lyrical line to an offer that already includes folk music, flamenco, and new dramatizations. Tarragona will have two identified opera appointments with the responsible company, a useful detail for those looking for this genre within the fall lineup.

The sequence also helps to read the rhythm of the program: an opening linked to Pau Casals, a week dedicated to flamenco, a new sound proposal, and two opera titles. It is not a single-color bill, but a succession of different registers within the same period.

The leading names of Theater and Dance

Which theatrical works stand out in the lineup?

Among the main theatrical draws is ‘Impossible’, by the company Cassandra Projectes Artístics, directed by Ramon Simó and starring Lluís Soler, Bernat Quintana, and Guillem Albasanz.

The list continues with ‘Hamlet’, by the company El Corral de L’Humor SLU, with Albert Pla and en Peyu, and ‘The Baby Tyler Show’, by the Canadian company SNAFU. These are three names and three different ways of reaching the audience, from revisited classics to an international company proposal.

• ‘Impossible’: Cassandra Projectes Artístics, directed by Ramon Simó.
• ‘Hamlet’: El Corral de L’Humor SLU, with Albert Pla and en Peyu.
• ‘The Baby Tyler Show’: Canadian company SNAFU.

In the case of ‘Impossible’, the focus is on direction and cast. In ‘Hamlet’, the spotlight is on the artistic duo formed by Albert Pla and en Peyu. And in ‘The Baby Tyler Show’, the distinctive feature is the Canadian origin of the company. The lineup plays with recognizable names and diverse origins, without losing connection to Tarragona.

What does Dance bring to this offer?

Dance will be represented by ‘La Quijá’, by Paloma Muñoz - Siberia Danza, a production of Mercat de les Flors. Also included will be ‘Cartografies del moviment invisible’, a project born with the intention of strengthening the contemporary dance networks in Catalonia and the result of PRO365 Dansa.

These two proposals show two faces of the discipline. ‘La Quijá’ arrives with the support of Mercat de les Flors' own production, while ‘Cartografies del moviment invisible’ emphasizes the connection between creators and contemporary dance networks.

For audiences not accustomed to seeking dance in the lineup, the name of the project already offers a clue: movement does not appear as a decorative addition, but as the center of the proposal. Dance will have its own space within a particularly diverse season, with two identified works and with a production context.

Between September 26 and February, Tarragona will combine about seventy shows, various venues, and an offer that spans from classical theater to new dramatizations, from opera to circus, and from music to movement. For the reader, the useful fact is simple: it will be necessary to consult each proposal, because the program will not have a single stage nor a single language. The season kicks off with ‘Pau,’ reserves two opera appointments, incorporates flamenco, and gives weight to theater and dance; now only the question remains of deciding which entrance—or which street—will be the first.

Source of the article: Editorial staff / Catalan News Agency

During this edition, the audience found an international company, creations from all over Spain, and a prominent presence of artists from Catalonia. Among the notable names are Glòria Ribera, UNAVEZENLAVIDA, Araka, and Cal y Canto. This is no small matter: Tarragona has once again placed theater at the center.

What explains the record attendance at FITT in Tarragona?

A 13th edition with more than 8,200 attendees

For the reader from Tarragona, the most significant figure is direct: more than 8,200 people have attended FITT’s proposals. The festival has defined this figure as a record compared to the previous edition, so the growth is not just a general impression but the main announced outcome when closing the programming.

The figure places FITT in a visible position within the city's cultural activity. There is no need to dress it up with institutional confetti: when one edition surpasses the previous one, it means that the works have managed to find an audience and that the festival has maintained its attraction capacity.

The full name of the event is FITT - New Dramaturgies, a definition that already marks the playing field. The programming has not been limited to a single origin or a single way of understanding the stage but has gathered Catalan proposals, from various points in Spain, and an international company.

• More than 8,200 attendees, a record compared to the previous edition.
• An international company within the programming.
• Proposals from all over Spain.
• A broad presence of creators and companies from Catalonia.

This distribution is what gives weight to the figure. A record audience is not explained only by a famous name but by a programming capable of opening different doors. And, incidentally, it forces looking at Tarragona as a venue with its own criteria, not as a decorative stop in the cultural circuit.

Why does Catalan talent occupy a central place?

Joan Negrié, festival director, has summarized the FITT’s line with a clear phrase: “it firmly believes in Catalan productions; we want it to be a space that spreads Catalan and local talent”. The statement does not speak only of an artistic selection but of the role the festival wants to assume.

This commitment has a concrete consequence for the audience: Catalan creations do not appear as a complement but as a central part of the proposal. The festival wants to act as a showcase for artists and companies working here, with the view focused on the dissemination of Catalan and local talent.

The word “local” also matters. In a program with international presence and proposals from all over Spain, FITT reserves space for the closest scene. It is a combination that avoids two common temptations: closing itself off to its own territory or importing names as if the city had no creators of its own.

Which names and premieres have marked this edition?

Glòria Ribera opened the programming with "Bomba va"

Among the highlighted names of the 13th edition is Glòria Ribera, star of the opening play “Bomba va”. The fact that she appears linked to the festival’s start gives her special weight within the program, as it is the proposal that opened this edition’s itinerary.

The available information does not detail the plot of the play nor the rest of the performances, and here it is best not to speculate with data that is not there. What is fixed, however, is her inaugural role and Ribera’s presence among the names the festival considers most outstanding.

For the spectator, an opening with a recognized name works as a first statement of intent. FITT wanted to start with an identified proposal and with an artist who is part of this edition’s narrative. Afterwards, the program has broadened its view toward other languages and origins.

Which premieres in Catalonia has FITT presented?

The festival has hosted two premieres in Catalonia that the source specifically identifies. The first is “Col·lapso, ser joven ante los límites del crecimiento”, by the company UNAVEZENLAVIDA. The second is “Limani”, a Basque and Burgos co-production by Araka and Cal y Canto.

These premieres bring a specific value: they allow the Tarragona audience to discover proposals arriving for the first time in Catalonia within FITT’s programming. It is not only a matter of filling the bill; it is a way to bring pieces and companies to the city that expand the stage conversation.

The table allows seeing the programming thread without turning it into an endless list: an opening with Glòria Ribera and two premieres in Catalonia with companies from different origins. The result is an edition that wanted to combine proximity, circulation of works, and names with their own identity.

There is also an idea that runs through the entire proposal: Tarragona not only receives shows but relates them to the Catalan and local talent that the festival wants to promote. This is the part often hidden behind an attendance figure. The 8,200 attendees are the headline; the artistic choice explains what was behind it.

FITT closes the 13th edition with more than 8,200 attendees, a record compared to the previous edition, and an explicit commitment to Catalan productions. Glòria Ribera, UNAVEZENLAVIDA, Araka, and Cal y Canto have been some of the highlighted names, while the premieres of “Col·lapso” and “Limani” have reinforced Tarragona’s role as a meeting point for new dramaturgies. Now it remains to see if this record becomes a starting point, and not just a good figure to close the season.

Source of the article: Editorial / Catalan News Agency

If you are a fan of music that touches the soul, this concert at the Teatre Auditori Camp de Mart is a must on your calendar.

An essential tribute for lovers of Serrat and Sabina

What makes this tribute special?

This night is not just a concert, but a journey through the most emblematic songs of Serrat and Sabina, two icons that have marked generations. The combination of rhythm, poetry, and emotion makes the show an authentic and vibrant experience.

Both figures are recognized for their ability to blend lyrics that convey universal feelings and experiences with melodies that remain etched in the collective memory. The tribute captures this essence and brings it to the stage to make it accessible to all ages.

How does this affect the residents of Tarragona?

The concert strengthens Tarragona's cultural offerings and energizes the nightlife in the city center, especially in the neighborhood where the Camp de Mart is located. This type of event helps keep the cultural fabric alive and creates a meeting space for residents and visitors.

Moreover, the programming of this tribute highlights Tarragona's ability to host quality musical proposals that connect with the Hispanic artistic heritage, while generating a positive impact on local commerce and the city's social life.

Key details not to miss the concert

When and where will it take place?

The event is on September 19 at 10 p.m. at the Teatre Auditori Camp de Mart, a venue with capacity and acoustics designed for concerts of this kind. The location is strategic to facilitate access for locals and to integrate the concert into the municipality’s regular cultural programming.

The Teatre Auditori Camp de Mart is known for offering an intimate and welcoming atmosphere, ideal for shows that seek a direct connection with the audience, as is the case with this tribute to Serrat and Sabina.

How to get tickets and more information?

Tickets and additional information can be found on Tarragona’s official agenda, through the link provided by the City Council. It is advisable to book in advance to secure a spot at this highly anticipated event.

This initiative is part of Tarragona’s cultural programming, which often offers proposals that combine artistic quality with the desire to recover and keep alive the musical references that have shaped the collective identity.

The fact that the City Council promotes this concert highlights the importance given to culture as a tool for social cohesion and local revitalization.

Source of the article: Tarragona City Council

If you are a comic book fan or want to discover it, this is your opportunity to enjoy reading in a different and fun way. In addition, the best readers will receive public recognition at the closing party, which is a key moment for the reading community and the Library, as it highlights the effort and dedication of all participants. The initiative helps promote reading among all age groups and consolidates the Library as a cultural and social meeting place.

How to participate in Mòn Còmic 2026

What are the requirements?

You only need to have a public library card from Catalonia and register for the program using the comic reader card. This simplicity in requirements makes participation open and easy, encouraging many people to join the initiative without administrative or bureaucratic barriers. The comic reader card allows you to record readings and track the comics read during the summer.

What types of comics can be read?

The program is open to all genres and styles of comics available at the Library, facilitating the discovery of new stories and authors. Thus, each reader can choose what they like best, from classics to new releases or independent comics. This variety guarantees that any participant will find options that suit their tastes and interests, and fosters literary diversity within the program.

Key details of the program and the closing party

When does the participation deadline end?

The deadline to register and participate ends at the end of September, leaving only a few weeks to be part of this cultural initiative. This date limits the opportunity, so it is crucial that those interested do not miss the chance to register and start reading. This year’s campaign has been very well received, and it is likely that the last weeks will be the most active in registrations.

What happens at the closing party?

On September 24th at 5:00 p.m., in the Library garden, the closing party will be held where the best readers of Mòn Còmic 2026 will be announced. This event not only serves to reward the participants who have read the most titles or stood out for their participation, but it is also a social gathering that strengthens the bond between the Library and the reading community. The party is a moment of joy and recognition, with a festive atmosphere and the opportunity to meet other comic book enthusiasts.

Source of the article: Vila-seca Town Hall

Many residents of Tarragona and visitors look forward to this moment to see how FITT once again puts Tarragona on the cultural map with an approach that attracts both theatre lovers and those interested in the relationship between culture and the heritage urban space.

FITT focuses on local talent

How is the growth of creators reflected in the Festival?

The festival not only programs international artists but also supports those who have lived and evolved thanks to FITT, showcasing their trajectory and professional consolidation. This means that many local creators, who under other circumstances would have had to look outside Tarragona for a platform, now have their own stage to exhibit their work and connect with their city’s audience.

This commitment to the careers of creators who have grown with the festival makes FITT not just a one-time cultural event, but a driving force that propels the careers of young artists and professionals in the performing arts sector. The bond forged years ago now materializes in a program that highlights the evolution and maturation of this talent.

Why is this commitment relevant for Tarragona?

Strengthening local culture at a time when globalization and the concentration of events in major capitals tend to overshadow local initiatives is vital to preserving the city’s identity. Tarragona asserts itself as a space of artistic creation and innovation, where culture is not only consumed but generated and transformed.

Moreover, this commitment helps to build loyalty among the local audience and create an artistic community that feels represented and heard. This generates a positive dynamic socially and economically, as the festival also acts as a tourist and cultural attractor.

The relationship with the city’s heritage

What does the link with Tarragona’s heritage consist of?

FITT takes advantage of Tarragona’s heritage spaces for its activities, making history and art engage in dialogue and offering attendees unique experiences. This integration not only adds value to the artistic proposals but also highlights the city’s architecture, monuments, and iconic corners.

Spaces such as the Metropol Theatre, the Museum of Modern Art, or other historic sites become vibrant stages and cultural pulses where tradition and modernity merge. This dialogue between heritage and contemporary creation is one of FITT’s hallmarks.

What does this connection bring to the Festival experience?

Spectators not only enjoy the artistic proposals but also tour and get to know the city better, adding a cultural and emotional plus to their visit. This immersion in heritage creates a unique context that gives each performance a deeper meaning and a direct relationship with the environment.

Thus, FITT becomes an invitation to rediscover Tarragona, not only as a backdrop but as a cultural protagonist. This also strengthens the sense of belonging and brings heritage closer to the daily life of the inhabitants.

The FITT 2026 programming includes various activities that will go beyond the limits of traditional theatre, incorporating disciplines and formats that expand the cultural offer throughout the four festival days. This implies a variety of experiences that attract a diverse audience and promote interaction between different forms of artistic expression.

According to the Tarragona City Council, this edition aims to be “a return home” for creators and a tribute to the city that has seen them grow, thus consolidating FITT’s role as a local cultural engine and international benchmark. This statement encapsulates the spirit of a festival that looks back to grow forward, betting on community and heritage as keys to its success.

Source of the article: Tarragona City Council

The great impact of the new installment starring Tom Holland has revitalized interest in a character who has never lacked loyal followers and who now gains a new wave of fans.

The movie's impact on Comic Sales

Why does this increase matter to local readers?

Stores like Arkham Comics, Antifaz Comic, and Continuarà Còmics emphasize that the premiere has not only boosted sales of Spider-Man comics but also strengthened the character's presence across different generations. This increase allows residents of Tarragona and Barcelona to more easily find both the latest publications and the classics.

Which Spider-Man Comics are the best sellers right now?

Among the most sought-after titles is 'Spiderman. A brand new day' by Marc Guggenheim and Steve McNiven, which served as inspiration for the movie. Also popular are issues from the 'Spiderman Team Up' collection, where Spider-Man teams up with other heroes like Hulk and Punisher, who appear in the film.

The character of Spider-Man: a classic reinvented

How has Spider-Man changed to attract the audience?

According to Gonçal Masó, Spider-Man has left behind the cosmic multiverse themes to present a more human and relatable profile. This new version has captivated both children and adults, maintaining his broad appeal and great popularity.

What new phase are Spider-Man Comics experiencing?

Xavi Domènech highlights that the regular series has shifted direction with new authors and a 'crossover' involving the entire Spider-Man family. Additionally, the 50th anniversary of the first encounter with Superman is being celebrated, which has sparked new joint stories between the two iconic figures.

The most watched movie in Catalonia and its effect on the market

How many viewers has 'Spider-Man: brand new day' attracted?

The production has gathered 860,959 viewers in Catalonia from its premiere on July 29 to August 24, surpassing other major summer hits.

How does this success affect the merchandise market?

Gonçal Masó points out that the film's great reception has not only boosted comic sales but also merchandise related to Spider-Man, reinforcing the character's presence in stores and among fans.

The strength of a character who never goes out of style, now reinforced by a movie that has managed to connect with the audience in a more human and close way.

Source of the article: Irene Reina / Pere Francesch / Catalan News Agency

The Temple of Augustus is not only an architectural symbol, but it also represents the political and religious importance that Tarraco held in the Roman Empire. Through the visit, attendees can understand how this cult marked the city almost two thousand years ago.

Details of the guided tour

What is the tour and where is it held?

The guided tour will take place on Friday, August 28th at 6:30 pm at the Old Audience, inside the El Pallol Cultural Center of Tarragona. It is an activity that allows participants to explore the history of the Temple of Augustus from a direct and engaging perspective.

What are the conditions for participation?

The entrance fee is 5 euros and capacity is limited, which makes it advisable to reserve a spot in advance to guarantee access. This limitation ensures a comfortable and quality experience for all participants.

Historical context of the Temple of Augustus in Tarraco

Why is the imperial cult important in Tarraco?

The imperial cult was key to consolidating Roman power on the Iberian Peninsula, and Tarraco, as the provincial capital, was a nerve center of these religious and political practices. The Temple of Augustus symbolizes this hegemony and is a testament to the Roman legacy in the city.

How has this heritage endured to the present day?

Despite the centuries, the remains and influence of the temple are still present in the urban and cultural fabric of Tarragona. Activities like this guided tour are a way to keep this connection with the past alive and to raise awareness of the historical importance of the local heritage.

Source of the article: Tarragona City Council

The first screening at La Llibertat will be on September 16 with the documentary Amazomania, which delves into a story of adventure and conflict in the Amazon, arriving in Reus in the original version with Catalan subtitles.

Change of venue: why does it matter to the reader from Reus?

What does the Museu de Reus - La Llibertat bring to the screenings?

The museum has renovated its spaces and technical systems, ensuring optimal and accessible audiovisual projection. This means that the people of Reus will be able to enjoy a more comfortable and high-quality cultural experience, in a historic environment at the heart of the city.

When and How will the screenings take place?

The sessions will be held on the third Wednesday of each month at 6 p.m., with free admission until full capacity is reached. The format remains the same, but the space changes to a more central location with greater cultural prestige.

Amazomania: what is it and why watch it?

What is this documentary about?

Amazomania tells how in 1996 a Brazilian officer and a Swedish journalist captured footage of an isolated Korubo tribe in the Amazon. Three decades later, the film revisits this material to show the consequences of colonialism and the current territorial conflicts faced by the indigenous community.

What relevance does it have for the community and the city?

The documentary brings up universal themes such as the clash between cultures and the defense of indigenous peoples’ rights. For the residents of Reus, it is an opportunity to understand a global context from a local space, fostering reflection on history and social commitment.

Practical aspects and technical details

How to access the Documentary of the Month cycle?

Access is free and without prior reservation until full capacity is reached. The screenings will always be held at the Museu de Reus - La Llibertat, on the third Wednesday of each month at 6 p.m.

In what format is Amazomania screened?

Amazomania is screened in the original version with Catalan subtitles, which facilitates understanding and maintains fidelity to the film’s original message and its impact.

The transfer of the Documentary of the Month cycle to the Museu de Reus - La Llibertat is not only a physical change but a step forward to consolidate audiovisual culture in the city with greater quality and a deep meaning that connects history and current times.

Source of the article: Ajuntament de Reus

The planned events combine history, art, and music to emphasize the importance of this figure in the local and Andalusian cultural and historical context.

Commemoration program for the 900 years of Abu Bakr al-Turtuxí

What does the programming include and why is it relevant to Tortosa?

The events not only remember the figure of Abu Bakr but also focus on the direct link with Tortosa, his hometown. This helps to better understand the influence of the environment on his work and thought, which is of particular interest to local residents and scholars.

The program kicks off on September 17 with a lecture by Joan Negre, an expert from the School of Arab Studies of Granada, who will shed light on Tortosa at the time of Abu Bakr.

How are art and history combined in the commemoration?

On September 18, an exhibition with illustrations by Ignasi Blanch is inaugurated, offering a visual and contemporary look at the Andalusian intellectual. This fusion of art and history makes the figure of Abu Bakr more accessible and attractive, especially for young and diverse audiences.

Central activities of the program: Route, concert, documentary, and anti-racist day

How is the memory of Abu Bakr al-Turtuxí reclaimed through the activities?

On September 19, the day that commemorates his death, Tortosa organizes a route through La Turtuxa, a tour of spaces linked to Abu Bakr, allowing a tangible and emotional connection with his life.

On the same day, a concert with Arturo Gaya and other artists complements the cultural offering, providing a sound experience that recalls the Andalusian era and atmosphere.

What role do the documentary and the anti-racist day have?

The documentary about Abu Bakr al-Turtuxí offers an in-depth view that contextualizes his trajectory and contributions. In parallel, the anti-racist day serves to claim values of respect and coexistence, very present in the legacy of the intellectual, and that remain a current necessity.

Source of the article: Editorial / Catalan News Agency

For over a year, a group of divers has been working with action cameras to capture images at about 40 meters deep, collaborating with local clubs and incorporating knowledge about the marine environment to enrich the dives.

The Thalassa project and the documentation of Catalan underwater heritage

Why is this initiative of interest to locals and local divers?

Thalassa not only creates 3D models of sunken ships but also helps preserve the history hidden beneath the sea of Tarragona and other points along the Catalan coast. With an educational and scientific approach, it offers information useful for both researchers and divers, allowing for the planning of safer and more informed dives.

Which wrecks have they scanned and where are they concentrated?

So far, half of the 20 scanned wrecks are located on the Tarragona coast, especially in the Costa Daurada Marine Park and l'Ametlla de Mar, where four vessels have been documented, including the fishing boat Pepito La Lula. Other locations include Roses, l'Escala, Palamós, and even a sunken hermitage in the Canyelles reservoir.

The technical process and economic challenges of the project

How do they manage to do scans at 40 meters deep?

The team uses conventional audiovisual equipment, with a scanning protocol adapted to Mediterranean wrecks and a success rate of up to 90% in image capture for rendering. Pre-dive work on land and weather conditions are crucial for the success of each dive.

What economic obstacles does Thalassa face and what do they plan to improve?

The main challenge is the high cost of gases for air tanks, which has risen significantly due to the global geopolitical situation. They are also considering adding underwater thrusters to speed up and ensure safety during scans, but this depends on future financial support.

The future and objectives of the Thalassa project

What role does the Cavour vessel play in the project?

The Cavour, a ship sunk in 1917 at 52 meters deep in l'Ametlla de Mar, is the main goal and the “cherry on top” of the first phase. At 120 meters in length, its 3D documentation would represent a major advance but requires partnerships and resources to carry out the survey.

How is collaboration and funding managed?

Thalassa maintains contacts with entities such as the Center for Underwater Archaeology and seeks agreements and public or private funding to continue documentation and expand the digitized heritage. Logistical collaboration with local diving centers is key to making the dives feasible.

Thalassa’s work provides the community with free and open three-dimensional models that keep alive the memory of these ships and allow monitoring of their conservation state. In a territory where cultural and natural heritage is abundant but often hidden, this initiative offers a new way to connect with maritime history.

The project not only documents but also builds a link between divers, researchers, and citizens with the living memory of the Catalan sea. The focus on the Cavour and the search for financial support indicate that this adventure still has a long way to go.

Source of the article: Ariadna Escoda Padilla / Catalan News Agency

Built between the 12th and 13th centuries, this Romanesque gem stands out not only for its architecture but also for its cultural and spiritual importance in the area.

Reopening and operation of the church

What does the reopening of the Siurana church involve?

The reopening allows visitors to enter the temple and climb the bell tower, a novelty that offers a unique perspective of the natural surroundings and the village. The opening hours are from 11 a.m. to 6 p.m., and the initiative is planned as a pilot test for the summer.

How does the reopening affect residents and visitors?

For residents, this new tourist activity can provide an economic and cultural boost. Visitors take the opportunity to travel inland from the Costa Daurada, combining beach and heritage, which expands the tourist reach of the Priorat.

History and heritage of Santa Maria de Siurana

What is the historical importance of the church?

The temple is first documented in a papal bull from 1154 and was a strategic point at the time, precisely when Siurana was one of the last Islamic bastions in Catalonia. Architecturally, the tympanum of the main door and the capitals stand out as key Romanesque elements.

What traditions and cultural elements does it preserve?

Inside is preserved the Virgin of Siurana, formerly known as the Virgin of the Water, related to prayers for rain and good harvests. On May 9th, a procession is held to keep this agricultural and religious tradition alive.

Experiences and perspectives of the seminarians

What experience do the seminarians managing the church have?

Fortunats Batuzayaco, originally from the Democratic Republic of Congo, and Dominique are responsible for opening the door every day. Fortunats highlights the antiquity and heritage value of the temple, very different from the young religious heritage he knows in Africa.

What interest do visitors show according to the seminarians?

Tourists are interested both in the history and art of the monument and in its spiritual aspect, which adds a deeper dimension to the visit to this emblematic space of the Priorat.

Source of the article: Arnau Martínez / Catalan News Agency

The largest concert ever held at the Santes Creus monastery, with 1,200 spectators, has marked the finale of an artistic proposal that attracted audiences from all over the province.

A program that plays with light and darkness

What made the sixth edition of the Jordi Savall Festival special?

This edition, under the motto 'Beyond the eclipse', offered a program built around a visual and sound dichotomy: light and darkness.

The result was an artistic experience that combined concerts with spaces for original creation, highlighting themes that sparked reflection and emotional connection with the local audience.

How has this impacted the spectators?

The high occupancy and large audience turnout demonstrate that the proposal has effectively connected with the region.

The Festival has not only offered music, but a space to generate projects with their own identity and a strong bond with local culture and history.

The stages that have hosted music and history

Why was Santes Creus the epicenter of the Festival?

Santes Creus hosted the largest concert ever held at its monastery, with 1,200 people gathered on a Sunday to enjoy a unique experience.

This figure is not only a record for the site, but also demonstrates the festival's ability to attract massive audiences without losing the intimate and historic essence of the monastery.

Which other towns have been part of the cultural journey?

Montblanc, Valls, and Alcover have been the other towns where shows have been held, consolidating the festival as a cultural engine of the region.

These municipalities have experienced proposals that combined music, history, and artistic creation under a common thread that has managed to captivate both local and visiting audiences.

Source of the article: Editorial / Catalan News Agency

For an entire week, these young people worked with renowned musicians, therapists, and psychologists, acquiring musical and social skills that help them overcome personal difficulties and prepare for a more stable future in the workforce.

The Amalgama7 project and its commitment to mental health

What does the project offer to young people in vulnerable situations?

This project is a unique opportunity for the adolescents of Can Ros, as it combines music with therapy to strengthen their emotional health. The young people not only acquire musical skills but also tools for emotional expression and social development, which are vital for facing their personal situations.

How is musical and professional training combined?

The participants have received training with internationally professional musicians, such as Tcha Limberger, and have also learned aspects of cultural production, such as event management and organizational support. In this way, work habits and responsibility are developed that open doors to future job opportunities.

The concert at the Monastery of Santes Creus: a stage for growth

How has the concert impacted the youths?

Performing on the stage of the Royal Monastery of Santes Creus has been a challenge and an incentive for the adolescents. This final event served to put into practice everything they had learned and to reinforce their self-esteem, with public recognition and the direct support of Maestro Jordi Savall.

What importance does Jordi Savall’s presence have?

The participation and support of Jordi Savall have meant an emotional encouragement for the young people. The maestro has encouraged them to maintain their bond with music, becoming a role model who helps motivate them in their recovery and personal development.

Impact and future of the project in the region

What job opportunities open up for young people thanks to the project?

The project not only seeks to strengthen mental health but also to propose job opportunities through music and cultural production. For many, like Bernat Flotas, it has represented the chance to approach a work environment without leaving aside their personal situation.

What legacy does the project leave within the Jordi Savall festival?

This is the first time Amalgama7 has participated in the festival, adding a social and inclusive dimension to the programming. This brings an added value that connects culture with social inclusion and the emotional health of young people in the region.

Music has proven to be a powerful tool that transcends art to become a vital support for these young people. This project focuses on mental health with a format that not only moves emotionally but also offers concrete opportunities to change lives.

Source of the article: Ariadna Escoda / Catalan News Agency

The Minister of Culture, Sònia Hernández, has defended that this event is a "tool to project Catalonia to the world" and has highlighted the ability of Catalan culture to build bridges between peoples and nations.

Catalan Culture triumphs in Stockholm

What makes this Aplec special for Catalans?

For readers from Tarragona and the rest of the province, the International Aplec of Adifolk is much more than a festival: it is the opportunity to see Catalan popular culture recognized hundreds of kilometers from home. With a record participation of 42 groups and 1,200 performers, the Catalan presence at the Stockholm Culture Festival demonstrates the strength and vitality of Catalan traditions.

What elements of Catalan Culture are exhibited?

The Aplec has brought sardanes, human towers, giants, beasts, dance, and traditional music to the most emblematic spaces of Stockholm. These expressions rooted in the territory, combined with an innovative spirit, show a culture that is "tradition and modernity" at the same time, as Minister Sònia Hernández has emphasized.

International projection and ties with Sweden

How does the Aplec fit within the cultural relationship between Catalonia and Sweden?

The Catalan presence in Stockholm is not an isolated event but a piece of a long-standing relationship that includes literature, visual arts, music, and Catalan language teaching. The Ramon Llull Institute has promoted translations of Catalan authors and supported multiple cultural exchanges, reinforcing links between both regions.

What importance does this exchange hold for Stockholm and Catalonia?

According to Deputy Mayor Torun Boucher, Catalan culture reaches "the heart of Stockholm" in a festival that last year attracted more than two million visitors. This cultural interaction fosters mutual respect and creates lasting bonds, as well as showcasing Catalonia as an open country connected to Europe.

Claims and perspectives of the protagonists

What do the Catalan and Swedish leaders say?

The President of the Parliament, Josep Rull, has described the Aplec as the best "soft diplomacy" to project Catalan culture and has highlighted the integrative capacity of the traditions. The Catalan representatives have noted that the Swedes are "absolutely amazed" by the cultural display, which presents Catalonia as a joyful, combative, and universal people.

How is the meeting experienced from the associative movement?

Ivan Besora, president of Adifolk, has highlighted the spirit of collaboration and the will to showcase Catalan traditions everywhere. The Aplec, which began in 1988 with the sardana, has grown into an international event that returns to Sweden this year, twenty years after Malmö.

Catalan popular expressions are not only a spectacle but also a vehicle to explain "who we are" and what Catalonia represents in the world. This experience in Stockholm makes clear that culture is an asset that connects people and territories and that our country knows how to project itself strongly beyond its borders.

Participation in an event of this magnitude, within a festival with millions of visitors, is a unique opportunity for Catalan culture to continue weaving international ties and showcase its richness and diversity.

For the people of Tarragona, seeing their culture grow in Stockholm is not only a reason for pride but also an invitation not to lose their roots and to continue nurturing it with the same passion and commitment that more than one thousand two hundred performers have put on stage.

Source of the article: Miquel Codolar / Catalan News Agency

This contrast with digital resources has led the physical format to reinvent itself and maintain a loyal audience, especially for planning trips with calm and security.

The resilience of paper guides in the digital age

Why do paper guides still matter today?

Paper guides offer easy and structured consultation that does not depend on a connection or an electronic device. They are a trusted support for planning itineraries, accommodations, and local recommendations without getting lost in the digital chaos.

Josep Maria Iglesias, from the Ulyssus bookstore, highlights that despite the decline in young buyers, the format remains alive with constant editorial novedades. Their convenience for having all information at hand and their complementary function to the digital world are key.

How have publishers adapted to new uses and audiences?

Lonely Planet, with over 25 years in Spain, sells about 200,000 guides annually in the country and millions globally. Its manager, Núria Cabrero, defends that they are a product complementary to the internet, providing information validated by local experts who live at the destination.

The guides have replaced exhaustive lists with exclusive recommendations and more personal approaches, adapting to a very diverse audience: families, seniors, and travelers as couples or groups.

Maps and guides as tools for planning and experience

How do paper guides complement digital resources?

In an environment saturated with digital information and fleeting trends, paper guides offer geographic and thematic order, facilitating planning according to season, weather, and local festivities.

Elena Barnadas, from Altaïr, argues that they do not compete with Google Maps but complement it by providing complete and objective information. This makes them more valuable for long getaways and mountain trips, where reliability is essential.

What changes have occurred in buyer habits?

Purchasing has become more selective: now guides are chosen for specific destinations, especially for long or mountainous trips. Destinations such as Japan, Albania, and China are trends for 2026.

A use as a souvenir has also been detected, because the physical book symbolizes the emotional experience of travel more than just a useful object.

Mountain cartography and the impact of artificial intelligence

Why do paper mountain maps remain indispensable?

In the mountains, the global view provided by a paper map surpasses the pinpoint location of GPS. It allows planning routes, identifying refuges, and adapting to unforeseen events with more security and intuition.

Buyer Jordi from Girona exemplifies how he combines paper maps and technology to adapt the route depending on terrain conditions and weather.

How has artificial intelligence affected guidebook sales?

Xevi Cortacans, from the Muntanya de Llibres bookstore, estimates a 25% drop in sales due to tools like ChatGPT, which quickly provide personalized itineraries.

Despite this, loyal customers value the contrasted and structured information that guides offer. Publishers have also evolved formats, adding more photos and maps and reducing texts to adapt to today’s speed and visual style.

Source of the article: Eli Don / Nia Escolà / Iñaki Martinez / Catalan News Agency

It is a festival that once again places root songs at its core, with proposals that not only reclaim the past but bring it to life today with a contemporary and participatory twist.

The most notable events and What they will mean for the audience

What does the presentation of the new album 'Jota x Cobla' bring?

The presentation on August 22 at 9 p.m. of the album 'Jota x Cobla' by Quico el Cèlio, el Noi i el Mut de Ferreries, accompanied by the Cobla Reus Jove conducted by maestro Marcel Casellas, will be a key moment. This combination of jota and cobla is an innovative proposal that recovers and reinvents popular music. The concert promises to connect with the local and folk-loving audience, showing a natural evolution of tradition.

How do other concerts and performances enrich the event?

Before the presentation, the group Pitxorines, made up of eight Balearic women, will present their second album 'Sa Falda Girada', offering a female and updated vision of Balearic folk. Additionally, the day includes a folk dance session by Trama Ball and a performance by Joseret with the rondalla inspired by Pepe Garcia 'Lo Canalero'. This provides a broad range that shows the multiple roots of popular music.

The value of training and tradition in the festival’s prelude

Why is Heura Gaya's singing workshop relevant?

On August 21 at 7 p.m., there will be a singing workshop with limited registration led by the Lleida native Heura Gaya. This initiative reinforces oral transmission and direct practice, essential to keeping tradition alive. It is a unique opportunity for folk enthusiasts to learn from a recognized artist and connect with fellow passionate people.

What can we expect from the Silvestres concert?

After the workshop, at 10 p.m., the group Silvestres de Ponent will perform with the presence of Heura Gaya, Núria Garcia, and Arantxa Broto. This proposal fuses female voices and contemporary folk, bringing a contrast and balance that will enrich the festival.

The importance of Tradicionàrius for the Terres de l'Ebre

How does this festival impact local culture?

Tradicionàrius not only recovers root music but also fosters cultural rootedness and recognition of territorial diversity. For the Ebre audience, it is an open window to nearby and distant traditions that engage in dialogue with each other. This positions the Terres de l’Ebre as a musical and cultural meeting point.

What future does the event have after the 33rd edition?

The recovery of root songs with a program that includes both training and concerts shows a clear intention to keep the festival alive and to expand its audience. The public’s response and the quality of the proposals will determine if this direction consolidates in future editions.

The 33rd edition of Tradicionàrius in the Terres de l'Ebre is an event that combines musical history and renewal, with four unmissable appointments at the Hort de Cruells in Roquetes. A festival that not only looks back but also invites one to dance with the present and future of popular music.

Article source: Editorial / Catalan News Agency

What drives these millions of queries? The answer is not as simple as it seems, and hidden within are orthographic doubts, new usages, and the constant search for linguistic rigor. Moreover, there is another protagonist: Enciclopèdia.cat, which keeps historical knowledge alive with 2.5 million annual visits.

Diccionari.cat: more than an online dictionary

Which words are the most searched and why?

Núria Bord, head of dictionary editing at Enciclopèdia Catalana, explains that the most consulted words in the Gran diccionari de la llengua catalana (CDLC) in 2025 and the early months of 2026 are ‘déu-n’hi-do’, ‘senyal’, ‘anàlisi’, ‘compte’, ‘provar’, ‘comptar’, ‘badar’, ‘corrent’, ‘biaix’ and ‘il·lusió’.

These terms can be classified into four groups: words with orthographic difficulties (such as déu-n’hi-do), terms with grammatical doubts (‘un anàlisi or una anàlisi’), new words with more frequent uses (‘biaix’ due to the increase in discussion about gender or AI bias), and vocabulary less common among students (‘badoc’, ‘baliga-balaga’).

Why does Diccionari.cat remain indispensable?

People consult Diccionari.cat because they feel insecure with the language, whether learning it or due to orthographic and grammatical doubts. There are also those who do it out of curiosity or for language games, in addition to professionals and students.

With 7 million annual visits, the service faces fierce competition, especially from artificial intelligence. Núria Bord highlights that although AI has slightly reduced queries, it also uses Diccionari.cat as a source and cites its data, an investment that reinforces the value of the service.

Enciclopèdia.cat, an encyclopedia that never stops evolving

What are the most consulted contents and why are users interested?

Enciclopèdia.cat focuses on content, not just meaning. The History of Catalonia leads the searches, with articles about Jaume I, the Segadors war, and the Catalan-Aragonese crown. Topics in humanities, science, geography, and general culture also stand out, such as the ‘zodiac sign’.

Marga Prades, head of Enciclopèdia.cat, emphasizes that it is a “living encyclopedia” that is continuously updated, adapting historical content to the present and maintaining an editorial team that permanently reviews and edits.

How are these digital resources kept alive?

Users play an active role, sending queries and comments via forms. This strengthens the community and improves the quality of the contents.

With the 60th anniversary of the Gran Enciclopèdia Catalana celebrated in 2025, and more than 25 years since the first digital version (1997), Enciclopèdia.cat is today the main avenue of updates, since it has not been reissued in physical form since 2012.

Digital value and the Catalan perspective

What is the importance of the local and rigorous vision?

Marga Prades argues that these portals are key to making Catalan culture and knowledge of the language easily accessible to everyone. They are rigorous sources, validated by specialists and with their own perspective, different from the Anglo-Saxon or peninsular viewpoint predominant on the internet.

How does artificial intelligence impact these services?

AI, more than a threat, is an ally that uses Diccionari.cat as a reference for its answers and, at the same time, slightly reduces the volume of direct queries. The Diccionari.cat team sees opportunities to grow, improving web functionalities and expanding its dictionary offerings to attract new users.

Source of the article: Pau Cortina / Catalan News Agency